Madonna Rebel Heart Tour costumes and the different acts

9 Septembre 2015, 21:00pm

Publié par Madonna Art Vision

Madonna‘s Rebel Heart Tour will kick off at the Bell Centre in Montreal this night!  Th costumes sketches have just appeared on the next and the sections revealed by WWD... 

ACT 1: Joan of Arc
ACT 2: Rockabilly meets Tokyo
ACT 3: Latin Quarter
ACT 4: Party Section


Arianne Phillips took the reins of the first act — a Joan of Arc-inspired section similar to the Mert Alas and Marcus Piggott-lensed cover art of the “Rebel Heart” album — and devised a series of costumes referencing liturgical fabrics and a recent exhibition of samurai armor at the Los Angeles County Museum of Art. Dancing nuns on stripper poles also make an appearance during this act. It wouldn’t be a Madonna show otherwise.

Miuccia Prada, who created original Prada and Miu Miu footwear for previous tours, was asked to design costumes as well this time around for the show’s second section. Her response? Rockabilly meets Tokyo.

It’s in the third act, the Latin quarter if you will, that things get really twisted. Fausto Puglisi, Gucci‘s Alessandro Michele and the Lebanese designer Nicolas Jebran created more of the same matador-inspired looks that appeared in the music video and live performances of single “Living for Love.” Michele imagines Madonna in full-blown “La Isla Bonita” mode, a mysterious gypsy wrapped in her fringed manila shawl, hiding behind her flamenco hat, lace and jacquard bodysuit and multicolor skirt.

To end things with a bang, Madonna enlisted Moschino‘s Jeremy Scott, fashion’s resident club kid, for the party section. She has worked with Scott intermittently since the early Aughts, but perhaps picking up on his ascendance in the public eye since his appointment at Moschino — not to mention his relationship with Miley Cyrus, et al — she brought him back into her orbit to work recently on several high-profile looks, including ones for her “Bitch I’m Madonna” music video.

Scott’s mandate was to come up with an homage to Harlem-flapper-meets-Paris-in-the-Twenties and several weeks after their joint appearance at the Costume Institute gala, he had the look: a blinding finale dress employing thousands of Swarovski crystals be complete without crystals".